Monday, July 30, 2007

Ingmar Bergman, Famed Swedish Film Director, Dies at 89


Agence France-Presse — Getty Images. An undated photograph of Ingmar Bergman from the 1970s.


Ingmar Bergman, Famed Swedish Film Director, Dies at 89
By THE ASSOCIATED PRESS

Filed at 6:58 a.m. ET

STOCKHOLM, Sweden (AP) -- Swedish director Ingmar Bergman, an iconoclastic filmmaker widely regarded as one of the great masters of modern cinema, died Monday, the president of his foundation said. He was 89.
''It's an unbelievable loss for Sweden, but even more so internationally,'' Astrid Soderbergh Widding, president of The Ingmar Bergman Foundation, which administers the directors' archives, told The Associated Press.
Bergman died at his home in Faro, Sweden, Swedish news agency TT said, citing his daughter Eva Bergman. A cause of death was not immediately available.
Through more than 50 films, Bergman's vision encompassed all the extremes of his beloved Sweden: the claustrophobic gloom of unending winter nights, the gentle merriment of glowing summer evenings and the bleak magnificence of the island where he spent his last years.
Bergman, who approached difficult subjects such as plague and madness with inventive technique and carefully honed writing, became one of the towering figures of serious filmmaking.
He was ''probably the greatest film artist, all things considered, since the invention of the motion picture camera,'' Woody Allen said in a 70th birthday tribute in 1988.
Bergman first gained international attention with 1955's ''Smiles of a Summer Night,'' a romantic comedy that inspired the Stephen Sondheim musical ''A Little Night Music.''
''The Seventh Seal,'' released in 1957, riveted critics and audiences. An allegorical tale of the medieval Black Plague years, it contains one of cinema's most famous scenes -- a knight playing chess with the shrouded figure of Death.
''I was terribly scared of death,'' Bergman said of his state of mind when making the film, which was nominated for an Academy Award in the best picture category.
The film distilled the essence of Bergman's work -- high seriousness, flashes of unexpected humor and striking images.
In a 2004 interview with Swedish broadcaster SVT, the reclusive filmmaker acknowledged that he was reluctant to view his work.
''I don't watch my own films very often. I become so jittery and ready to cry ... and miserable. I think it's awful,'' Bergman said.
Though best known internationally for his films, Bergman also was a prominent stage director. He worked at several playhouses in Sweden from the mid-1940s, including the Royal Dramatic Theater in Stockholm, which he headed from 1963 to 1966. He staged many plays by the Swedish author August Strindberg, whom he cited as an inspiration.
The influence of Strindberg's grueling and precise psychological dissections could be seen in the production that brought Bergman an even-wider audience: 1973's ''Scenes From a Marriage.'' First produced as a six-part series for television, then released in a theater version, it is an intense detailing of the disintegration of a marriage.
Bergman showed his lighter side in the following year's ''The Magic Flute,'' again first produced for TV. It is a fairly straight production of the Mozart opera, enlivened by touches such as repeatedly showing the face of a young girl watching the opera and comically clumsy props and costumes.
Bergman remained active later in life with stage productions and occasional TV shows. He said he still felt a need to direct, although he had no plans to make another feature film.
In the fall of 2002, Bergman, at age 84, started production on ''Saraband,'' a 120-minute television movie based on the two main characters in ''Scenes From a Marriage.''
In a rare news conference, the reclusive director said he wrote the story after realizing he was ''pregnant with a play.''
''At first I felt sick, very sick. It was strange. Like Abraham and Sarah, who suddenly realized she was pregnant,'' he said, referring to biblical characters. ''It was lots of fun, suddenly to feel this urge returning.''
The son of a Lutheran clergyman and a housewife, Ernst Ingmar Bergman was born in Uppsala on July 14, 1918, and grew up with a brother and sister in a household of severe discipline that he described in painful detail in the autobiography ''The Magic Lantern.''
The title comes from his childhood, when his brother got a ''magic lantern'' -- a precursor of the slide-projector -- for Christmas. Ingmar was consumed with jealousy, and he managed to acquire the object of his desire by trading it for a hundred tin soldiers.
The apparatus was a spot of joy in an often-cruel young life. Bergman recounted the horror of being locked in a closet and the humiliation of being made to wear a skirt as punishment for wetting his pants.
He broke with his parents at 19 and remained aloof from them, but later in life sought to understand them. The story of their lives was told in the television film ''Sunday's Child,'' directed by his own son Daniel.
Young Ingmar found his love for drama production early in life. The director said he had coped with the authoritarian environment of his childhood by living in a world of fantasies. When he first saw a movie he was greatly moved.
''Sixty years have passed, nothing has changed, it's still the same fever,'' he wrote of his passion for film in the 1987 autobiography.
But he said the escape into another world went so far that it took him years to tell reality from fantasy, and Bergman repeatedly described his life as a constant fight against demons, also reflected in his work.
The demons sometimes drove him to great art -- as in ''Cries and Whispers,'' the deathbed drama that climaxes when the dying woman cries ''I am dead, but I can't leave you.'' Sometimes they drove him over the top, as in ''Hour of the Wolf,'' where a nightmare-plagued artist meets real-life demons on a lonely island.
Bergman also waged a fight against real-life tormentors: Sweden's powerful tax authorities.
In 1976, during a rehearsal at the Royal Dramatic Theater, police came to take Bergman away for interrogation about tax evasion. The director, who had left all finances to be handled by a lawyer, was questioned for hours while his home was searched. When released, he was forbidden to leave the country.
The case caused an enormous uproar in the media and Bergman had a mental breakdown that sent him to hospital for over a month. He later was absolved of all accusations and in the end only had to pay some extra taxes.
In his autobiography he admitted to guilt in only one aspect: ''I signed papers that I didn't read, even less understood.''
The experience made him go into voluntary exile in Germany, to the embarrassment of the Swedish authorities. After nine years, he returned to Stockholm, his longtime base.
It was in the Swedish capital that Bergman broke into the world of drama, starting with a menial job at the Royal Opera House after dropping out of college.
Bergman was hired by the script department of Swedish Film Industry, the country's main production company, as an assistant script writer in 1942.
In 1944, his first original screenplay was filmed by Alf Sjoeberg, the dominant Swedish film director of the time. ''Torment'' won several awards including the Grand Prize of the 1946 Cannes Film Festival, and soon Bergman was directing an average of two films a year as well as working with stage production.
After the acclaimed ''The Seventh Seal,'' he quickly came up with another success in ''Wild Strawberries,'' in which an elderly professor's car trip to pick up an award is interspersed with dreams.
Other noted films include ''Persona,'' about an actress and her nurse whose identities seem to merge, and ''The Autumn Sonata,'' about a concert pianist and her two daughters, one severely handicapped and the other burdened by her child's drowning.
The date of the funeral has not yet been set, but will be attended by a close group of friends and family, the TT news agency reported.

Copyright 2007 The Associated Press



Director/Producer/Screenwriter
Born: July 14, 1918
Birthplace: Uppsala, Sweden

Full Biography

From All Movie Guide: The most famed and honored filmmaker ever to emerge from the nation of Sweden, Ingmar Bergman radically altered the nature and meaning of the motion picture form, transfiguring a medium long devoted to spectacle into an art capable of profoundly personal meditations into the myriad struggles facing the psyche and the soul. By focusing on the exploration of self with unparalleled intensity, Bergman brought to the screen a new sense of emotional intimacy, fusing the concepts behind Freudian psychotherapy with a dreamlike sensibility founded on visual metaphors, flashbacks, and extreme close-ups to create a revelatory cinematic world unlike any before it. Born Ernst Ingmar Bergman on July 14, 1918, in Uppsala, Sweden, he followed a brief 1938 military stay by attending Stockholm University; there he staged his first plays, among them adaptations of Macbeth, August Strindberg's Lucky Peter's Journey and Master Olaf, and Maunce Maeterlinck's The Blue Bird. In 1939, Bergman accepted the job of production assistant at the Royal Theatre (the Stockholm Opera), leaving school the following year to focus on stage work. By early 1943, he had begun work at the script department of Svensk Filmindustri, with his original screenplay for Hets (Torment) filmed by leading director Alf Sjoberg the following year.

While remaining active in the theater, Bergman also continued his work in the film industry, and in the summer of 1945 he began directing his debut feature, Kris (Crisis), an adaptation of a drama by Leck Fisher. His next four films -- 1946's Det Regnar på Vår Kärlek/It Rains on Our Love, 1947's Skepp till Indialand/A Ship Bound for India, and 1948's Musik i Mörker/Night Is My Future, and Hamnstad/Port of Call -- were all adaptations as well, although Bergman continued crafting original screenplays, including one for the 1947 Gustaf Molander feature Kvinna Utan Ansikte/Woman Without a Face. In a sense, Bergman's career began in earnest with 1948's Fängelse/The Devil's Wanton, his first true auteur work. In addition to directing his own original script, the feature also marked the introduction of a number of Bergman hallmarks including his patented emotional complexity, a fascination with the dynamics of marriage, and a willingness to experiment with the motion-picture form and structure. Törst (Three Strange Loves), based on a screenplay by Herbert Grevenius, followed in 1949, but within months Bergman was filming Till Glädje (To Joy), another original effort again exploring a disintegrating marriage.

In 1950, Bergman began shooting Sommarlek (Summer Interlude), his breakthrough effort. Told extensively through flashback, the film hones in on a number of the themes which would continue to recur throughout his oeuvre, including the loss of artistic identity, the demise of love, and the slow decay of life, all explored with a newfound confidence and grace. The political thriller Sånt Händer Inte Här (This Can't Happen Here) soon followed, but in 1951 the Swedish film studios suffered a shutdown, reducing Bergman to helming soap commercials. Upon returning to work in 1952, he filmed the relatively lightweight Kvinnors Väntan (Secrets of Women) before turning to 1953's Sommaren Med Monika (Summer With Monika), another exploration of an ill-fated romance. With 1953's Gycklarnas Afton (Sawdust and Tinsel/The Naked Night), Bergman made his next significant leap. His first period piece, the film was his bleakest work to date, drawing from the breadth of his major influences (particularly 1930s French films and silent German cinema) to create a newly mature and distinctive visual sensibility. The sense of freedom so dominant throughout Gycklarnas Afton remained for 1954's farcical En Lektion i Kärlek (A Lesson in Love). After 1955's Kvinnodröm, Bergman created his next masterpiece, the intricate romantic comedy Sommarnattens Leende (Smiles of a Summer Night).

Having hit his stride, Bergman began work on one of his most famed efforts, Det Sjunde Inseglet (The Seventh Seal). The film which brought him international renown, it marked a turning point away from the romantic explorations of his earlier work toward an examination of the relationships of man to God and death, a theme which remained at the center of his work for many years to come. A medieval morality play, The Seventh Seal contains one of the most memorable scenes in all of cinema, in which the knight portrayed by Max Von Sydow opposes Death in a game of chess. The winner of the Special Jury Prize at the Cannes Film Festival, The Seventh Seal launched Bergman to the forefront of the global filmmaking community, a position he would not relinquish throughout the duration of his career.

Bergman's obsession with death continued in 1957's brilliant Smultronstället (Wild Strawberries), starring Victor Sjöström as an aging professor reminiscing about the disappointments which tainted his life. After the somewhat slight Nära Livet (Brink of Life), Bergman helmed 1958's Gothic comedy Ansiktet (The Magician), a stunning return to form. The medieval setting of The Seventh Seal reappeared in 1960's Jungfrukällan (The Virgin Spring), a controversial essay on rape which won an Academy Award for Best Foreign Language Film. It was followed later that same year by Djävulens öga (The Devil's Eye). The outstanding Såsom i en Spegel (Through a Glass Darkly) was the next step in Bergman's evolution, marking the beginning of his "chamber" style of photography -- essentially, a penchant for extreme close-ups designed to highlight the nuances of his actors' faces to underscore a scene's psychological intensity. It also opened his so-called "religious trilogy," a series of films exploring crises of faith, which also included 1962's Nattvardsgästerna (Winter Light) and 1963's Tystnaden (The Silence). In the wake of 1964's För Att Inte Tala om Alla Dessa Kvinnor (All These Women), Bergman planned to mount a theatrical production of The Magic Flute, but instead fell prey to a viral infection which kept him out of action during the early months of 1965.

When he returned to the screen in late 1966 with Persona, it was with a renewed sense of force and purpose. An intense meditation on identity which is later revealed to be an examination of the very nature of cinema itself, the film was his most avant-garde effort to date and remains his crowning masterpiece. Another trilogy of films, all of them set on the tiny island of Fårö -- 1968's Vargtimmen (Hour of the Wolf) and Skammen (Shame), rounded out by Bergman's first color film, 1969's En Passion (The Passion of Anna) -- concluded the decade. In 1970, Bergman directed his first English-language film, The Touch. The masterful Viskningar och Rop (Cries and Whispers) followed in 1972, with the acclaimed television miniseries Scenes From a Marriage premiering in 1973. The small screen remained Bergman's medium of choice for the next several years, with The Magic Flute in 1975 and Ansikte mot Ansikte (Face to Face) in 1976. That same year he was arrested for alleged tax evasion, later leaving Sweden as a voluntary exile. Relocating to Munich, he began work on 1977's The Serpent's Egg, his first feature film in half a decade.

After completing 1978's Autumn Sonata, Bergman entered the 1980s with Aus dem Leben des Marionetten (From the Life of the Marionettes); two years later, he released the Oscar-winning Fanny och Alexander (Fanny and Alexander), a final, autobiographical masterpiece announced as his cinematic swan song. He then turned strictly to television, premiering Efter repetitionen (After the Rehearsal) in 1984, followed a year later by The Blessed Ones. He also maintained his busy theatrical schedule and in 1987 published an autobiography, Laterna Magica. In 1992, his script Den Goda Viljan (The Best Intentions) was filmed for television by Bille August; three years later, he announced his retirement from the stage, but by 1996 he was shooting the television drama Larmar Och Gör Sig Till. ~ Jason Ankeny, All Movie Guide



Filmography

Saraband (2003)
Role: Screenwriter, Director
Larmar Och Gor Sig Till (1998)
Role: Screenwriter, Director
Sista Skriket (1997)
Role: Screenwriter
After the Rehearsal (1984)
Role: Director, Screenwriter
Dokument: Fanny Och Alexander (1983)
Role: Screenwriter, Director
Fanny & Alexander (1982)
Role: Screenwriter, Screenwriter, Director, Director
Aus Dem Leben Der Marionetten (1980)
Role: Producer, Screenwriter, Director
Fårödokument 1979 (1979)
Role: Screenwriter, Director
Min aelskade (1979)
Role: Executive Producer
Autumn Sonata (1978)
Role: Director, Screenwriter
The Serpent's Egg (1977)
Role: Director, Screen Story, Screenwriter
Ansikte mot Ansikte (1976)
Role: Screenwriter, Director, Producer
The Magic Flute (1975)
Role: Director, Screenwriter
Scenes from a Marriage (1974)
Role: Producer, Screenwriter, Director
Scenes From a Marriage (1973)
Role: Producer, Screenwriter, Director
Cries and Whispers (1972)
Role: Screenwriter, Director, Producer
The Touch (1971)
Role: Producer, Screenwriter, Director
Fårödokument (1970)
Role: Narrator, Director
The Passion of Anna (1970)
Role: Screenwriter, Director
Riten (1969)
Role: Priest in confessional, Screenwriter, Director
Shame (1968)
Role: Director, Screenwriter
The Hour of the Wolf (1968)
Role: Screenwriter, Director
Stimulantia (1967)
Role: Director, Cinematographer
Persona (1966)
Role: Screenwriter, Director, Producer
The Silence (1963)
Role: Director, Screenwriter
Winter Light (1962)
Role: Screenwriter, Director, Producer
Through a Glass Darkly (1961)
Role: Screenwriter, Director
The Devil's Eye (1960)
Role: Screenwriter, Director
The Virgin Spring (1959)
Role: Director, Producer
Ansiktet (1958)
Role: Director, Screenwriter
Nära Livet (1958)
Role: Screenwriter, Director
The Seventh Seal (1957)
Role: Director, Screenwriter
Wild Strawberries (1957)
Role: Director, Screenwriter
Sista Paret Ut (1956)
Role: Screenwriter
Kvinnodröm (1955)
Role: Man on train, Producer, Screenwriter, Director
En Lektion i Kärlek (1954)
Role: Producer, Screenwriter, Director
Gycklarnas Afton (1953)
Role: Screenwriter, Director
Kvinnors Väntan (1952)
Role: Street Character, Director, Screenwriter
Sommaren med Monika (1951)
Role: Director, Screenwriter
Sommarlek (1950)
Role: Director, Screenwriter
Törst (1949)
Role: Passenger on train
Eva (1949)
Role: Screenwriter
Fängelse (1949)
Role: Screenwriter, Director
Till Glädje (1949)
Role: Screenwriter, Director
Hamnstad (1948)
Role: Screenwriter, Director
Kvinna Utan Ansikte (1947)
Role: Screenwriter
Skepp till Indialand (1947)
Role: Screenwriter, Director
Det Regnar paa vaar Kaerlek (1946)
Role: Director, Screenwriter
Kris (1946)
Role: Director, Screenwriter
Hets (1944)
Role: Screenwriter

Saturday, July 28, 2007

Alberto Villamizar, 62, Foe of Colombian Drug Cartel, Dies




Alberto Villamizar, 62, Foe of Colombian Drug Cartel, Dies

By DOUGLAS MARTIN
Published: July 28, 2007

Alberto Villamizar, a Colombian politician and diplomat who fought the Medellín cocaine cartel, dramatically won the release of his wife and sister when it kidnapped them, and then led his nation’s battle against a wave of abductions, died Thursday in Bogotá. He was 62.
The cause was complications of heart surgery, said Juan Manuel Galán, a family friend, as quoted by The Associated Press.
Mr. Villamizar’s crusade against kidnapping was chronicled by Gabriel García Márquez, the Nobel Prize-winning novelist, in his 1997 book, “News of a Kidnapping.”
The author hailed his “determination and patience” in avoiding armed solutions while not capitulating to criminal kidnappers. Mr. Villamizar had suggested that Mr. García Márquez write the book.
Mr. Villamizar’s grandfather was Colombia’s minister of war, and his father had been physician to the Presidential Guard. He himself went through medical studies at Javieriana University but never graduated.
He chose a political career and rose to prominence as an ally of the presidential candidate Luís Carlos Galán. The two sought to limit the wealth and political power of Pablo Escobar, chief of the Medellín cocaine cartel.
In 1985, Mr. Villamizar won passage of the National Narcotics Statute of 1985, the first general legislation against drug trafficking.
He then tried to block attempts by politicians associated with the cartel to pass a constitutional amendment forbidding extradition, which was Mr. Escobar’s greatest fear.
“It was nearly his death sentence,” Mr. García Márquez wrote. On Oct. 22, 1986, two assassins fired submachine guns at Mr. Villamizar as he got into his car. His escape was considered miraculous, the author wrote.
After the attempt on his life, Mr. Villamizar was named ambassador to Indonesia. After he had been there for a year, United States security forces in Singapore captured a Colombian assassin traveling to Jakarta. It was never proved that he had been sent to kill Mr. Villamizar, but Mr. García Márquez wrote that in the United States, a fake death certificate had declared him dead.
In 1989, Mr. Galán, who had a comfortable lead in the presidential race, was assassinated and succeeded as a candidate by César Gaviria, who won election as president. Mr. Villamizar supported Mr. Gaviria’s strong stance against terrorism and kidnapping.
In 1990, Mr. Escobar’s henchmen kidnapped Maruja Pachón, Mr. Villamizar’s wife and a prominent journalist, and Mr. Villamizar’s sister, Beatriz Villamizar de Guerrero.
Mr. García Márquez began his chronicle with their kidnapping, which was quickly followed by the kidnapping of eight more people, many of them prominent journalists.
The government asked Mr. Villamizar to be a mediator between the government and his family, a role that led to his becoming leader of Colombia’s campaign against kidnapping. He saw the war against the drug traffickers and their terrorist tactics as “an unavoidable personal challenge,” Mr. García Márquez wrote.
Mr. Gaviria, Colombia’s president, told Mr. Villamizar to establish contact with Mr. Escobar and negotiate with him, but with conditions: Mr. Villamizar could not violate constitutional safeguards protecting individual rights, and the president would not call off the military units searching for the kidnappers, but Mr. Villamizar could use the threat of extradition.
Mr. García Márquez noted the “internal contradictions present in these conditions.” He wrote, “In other words, he could do as he wished in his own way, using all his imagination, but he had to do it with his hands tied.”
Over five months of delicate negotiations, Mr. Villamizar persuaded Mr. Escobar to release his relatives. The drug lord was so impressed with the negotiator that he eventually asked him to help negotiate his surrender with the Colombian authorities.
“For all these years, Escobar has been my family’s cross, and mine,” he said to Mr. García Márquez. “First he threatens me. Then he makes an attempt on my life, and it’s a miracle I escape. He goes on threatening me. He assassinates Galán. He abducts my wife and sister, and now he wants me to defend his rights.”
In 1991, Mr. Escobar surrendered in return for lenient punishment. He escaped from his luxurious prison in 1992 and died in a gunfight with security forces in Medellín in 1993.
In 1996, President Ernesto Samper named Mr. Villamizar the country’s first kidnapping czar, a position he used to create a special police force to deal with abductions. In 1997, Mr. Villamizar was named Colombia’s ambassador to Cuba.
He is survived by his wife, Maruja Pachón, and his son, Andres.
“He was someone who lived with and understood very well the drama of kidnappings,” Olga Lucía Gómez, director of País Libre, a nonprofit group that helps abduction victims, said, as quoted by The Associated Press. “He helped to make the crime of kidnapping more visible.”

Wednesday, July 25, 2007

Donald Michie, 83, Theorist of Artificial Intelligence, Dies




Donald Michie, 83, Theorist of Artificial Intelligence, Dies
By JEREMY PEARCE

Donald Michie, a versatile British scientist and early theorist of artificial intelligence who helped develop a “smart” industrial robot and then applied the technology to diverse fields, died on July 7 in Britain. He was 83.
Dr. Michie (pronounced MICK-ee) died in a car accident near London along with his former wife, Anne McLaren, a biologist and pioneering researcher in the field of reproduction.
In the early 1970s, in work that received international attention and helped make Britain a force in advancing artificial intelligence, Dr. Michie led a team that produced “Freddy,” a computer-directed robotic arm that could choose and assemble parts from a jumbled and potentially confusing array. To demonstrate Freddy’s capabilities, Dr. Michie programmed the machine to put together the parts of a toy truck.
Nils J. Nilsson, an emeritus professor of engineering at Stanford University and a former chairman of the department of computer science there, said the machine was “ahead of its time” and impressed researchers at Stanford and elsewhere as “one of the first automatic assembly systems in the world.”
Dr. Nilsson added that industry had been slow to see Freddy’s potential, and it was not until the 1980s, after industries in Japan began to use robotic machines in manufacturing, that the work of Dr. Michie and other scientists was fully appreciated.
Earlier, in the 1960s, Dr. Michie developed an ingenious mechanical computer that he named Menace. The device was constructed of matchboxes and designed to play tick-tack-toe, recording information about successful moves by trapping colored beads in its boxes. A player would then consult the beads to determine what move to make next.
Menace and its 300 matchboxes proved important beyond games-playing as a relatively simple “machine that could actually learn from past games, and was therefore quite revolutionary,” said Bart Selman, a professor of computer science at Cornell who studies artificial intelligence.
In the 1970s, Dr. Michie, who trained as a geneticist, turned his hand to writing computer programs to solve complex problems in industry and science. His research has been used to improve flight simulators for pilot training and to increase the efficiency of a uranium refining plant. In 1979, he explained his ideas in “Expert Systems in the Microelectronic Age,” a book that Dr. Selman said brought “a level of scientific quality to the field that remains unmatched.”
Dr. Michie’s earliest scientific endeavors took place at Bletchley Park, the secret British intelligence center, where he was a cryptographer from 1942 to 1945. There he worked on “Colossus,” the high-speed computer, in helping to more rapidly break Germany’s wartime codes.
Donald Michie was born in what was then Rangoon, Burma. He earned his doctorate in mammalian genetics from Oxford in 1953.
He joined the University of Edinburgh as a senior lecturer in surgical science in 1958. Edinburgh named him a professor of machine intelligence in 1967, and he remained there until retiring in 1984. Dr. Michie also served as chairman of the university’s department of machine intelligence and perception.
He later taught at the Turing Institute, which he helped to found, at the University of Glasgow.
Dr. Michie, who was married two other times, is survived by two sons and two daughters.


Copyright 2007 The New York Times Company

Jesús de Polanco, 77, Dies; Media Mogul Helped Revive Free Speech in Spain




Jesús de Polanco, 77, Dies; Media Mogul Helped Revive Free Speech in Spain
By VICTORIA BURNETT

MADRID, July 22 — Jesús de Polanco, a billionaire media entrepreneur viewed by Spaniards as crucial to restoring the free press during the country’s transition to democracy in the 1970s, died Saturday. He was 77.
Mr. de Polanco had been ill for some time, Grupo Prisa, the powerful media group he co-founded, said in a statement announcing his death on Saturday.
Mr. de Polanco, the chairman of Prisa, was one of the country’s most influential men and a close ally of the governing Socialist Party.
Also the co-founder of El País, the best-selling newspaper in the country, he was ranked 287th in March on the Forbes list of the richest people in the world, with a fortune worth $3 billion.
His burial on Sunday was attended by prominent cultural figures and senior politicians from the left and right, including Felipe González, the former Socialist prime minister, and José Saramago, the Portuguese Nobel Prize laureate, according to the radio station Cadena SER.
José Bono, a former defense minister, said that Mr. de Polanco’s media group “defended liberty during complicated times, and this is something that we Spaniards who fought against dictatorship cannot forget.”
Jesús de Polanco Gutiérrez was born in Madrid in 1929. Orphaned at a young age, he paid his way through school by selling books, and eventually earned a law degree.
He co-founded El País in 1976 as Spain emerged from the dictatorship of Gen. Francisco Franco, and helped build Prisa into a thriving publishing and broadcast empire.
Its holdings include newspapers, magazines, television and radio stations in Spain, as well as a clutch of radio stations in Latin America and a 15 percent stake in the French newspaper Le Monde.
“He has left behind the mark of a man of acute intelligence whose conviction contributed to the modernization of Spain,” Santiago de Ybarra y Churruca, president of a rival media group, Vocento S.A., wrote in the conservative newspaper ABC.
Though Mr. de Polanco vowed to stand up for the independence and integrity of the media, Prisa’s editorial line closely reflected that of the Socialist government, and rivals have charged that the group benefited from political favors.
Despite the kind of huge growth over the last three decades that sometimes leads families to step back from big companies, even with Mr. de Polanco’s death, his family will retain a strong presence in the company. Three of his four children are top executives at Prisa.
He will be succeeded as chairman of Prisa by its current vice president, his son Ignacio, 52.
His daughter Isabelle is the chief executive of the group’s educational publishing division Santillana; his son Manuel is the chief executive of its Portuguese media division; and his daughter María Jesús works on projects unrelated to the company.

Copyright 2007 The New York Times Company

Dame Anne McLaren



Dame Anne McLaren


Geneticist resolute in addressing the techniques and ethics of fertility

John Biggers
Tuesday July 10, 2007
The Guardian

Dame Anne McLaren, who has died aged 80 in a car accident while travelling with her former husband Donald Michie from Cambridge to London, was one of Britain's leading scientists in the fields of mammalian reproductive and developmental biology and genetics.
Her research in the basic science underlying the treatment of infertility helped develop several human-assisted reproduction techniques. Her work also helped further recognition of the importance of stem cells in the treatment of human disease. As she put it, she was interested in "everything involved in getting from one generation to the next". Both of these areas raise serious ethical issues, and Anne was a leading contributor to the debates in the UK needed to develop acceptable public policy regulating them. Among her many honours, she was the first woman to hold office as vice-president and foreign secretary in the more than 300-year-old Royal Society.
Anne was the daughter of Henry McLaren, 2nd Baron Aberconway, and Christabel McNaughten. The family had homes in London and Bodnant, north Wales, and she gained a zoology degree at Lady Margaret Hall, Oxford. During postgraduate years at Oxford, she worked under JBS Haldane, Peter Medawar and Kingsley Sanders, and in 1952 obtained her DPhil.
The topic of her thesis concerned murine neurotropic viruses, which she studied under Sanders, and in the same year that she obtained her doctorate she married Donald Michie. They then worked together at University College London (1952-55) and at the Royal Veterinary College, London (1955-59). During this period they were interested in the nature versus nurture problem, studying the effect of the maternal environment in mice on the number of lumbar vertebrae.
This work led them to take an interest in the technique of embryo transfer and implantation, and in collaboration with me, in showing it was possible to culture mouse embryos in a test tube and obtain live young after placing them in the uterus of a surrogate mother. In 1959 Anne and Donald were divorced, although they both moved to Edinburgh. Anne continued her work on mammalian fertility, embryo transfer techniques, immunocontraception and the mixing of early embryos to form chimeras (organisms consisting of two or more genetically different kinds of tissue) at the Institute of Animal Genetics. Her book on chimeras, published in 1976, is a classic in the field.
In 1974 she became the director of the Medical Research Council mammalian development unit at University College London. It was there that she developed her enduring interest in the development differentiation of mammalian primordial germ cells. She wrote another classic book, this time on Germ Cells and Soma, in 1980. After retirement from the Medical Research Council in 1992, she became principal research associate at the Welcome Trust/Cancer Research UK Gurdon Institute in Cambridge, a position she held at the time of her death. During her career she was an author of more than 300 papers.
Many of the areas in which Anne worked are associated with serious ethical issues. One of her principal contributions was as a member of the Warnock Committee, which produced a white paper that played a major role in the passage of the 1987 Family Law Reform Act and the 1990 Human Fertilisation and Embryology Act. The latter established the Human Fertilisation and Embryology Authority, on which Anne served for 10 years. More recently she had been participating in the discussions on the ethical issues involved in developing embryonic stem cells and the use of therapeutic cloning.
Anne remained very informal, unpretentious and approachable even after she had acquired a wide international scientific reputation. Her visits to research laboratories were always popular with even the shyest of graduate students and postdoctoral fellows. After willingly listening to a description of their research projects, she would quickly identify the salient problems and come up with valuable suggestions. She always conveyed the feeling that research is fun.
Her hospitality was renowned, and many visitors to London stayed in her house. She was an avid football fan, and when any international match was on television it was a waste of time trying to talk to her.
Anne was also a great communicator. She became known as a fascinating lecturer and had many invitations to speak at meetings all over the world. Her thoughts were always clearly presented in perfectly enunciated English, and she was a "natural" on television. She interviewed the philosopher Bertrand Russell with ease, and on another occasion when she explained that she and I had successfully cultured mouse embryos in a test tube and produced young after putting them into the uterus of surrogate mothers, she had a white mouse running up and down her arm.
She was always concerned that science be explained simply but accurately to the public. Frequently she would come out with a succinct statement such as: "When the embryo is outside the woman's body, genetics tells us that father and mother have equal rights. When the embryo is inside the body, physiology tells us that the woman's right is paramount."
Politically Anne was a liberal. During the early stages of the cold war she and Donald kept in active contact with scientists behind the iron curtain. For a while they were penalised by being denied entrance to the US. The barrier was finally overcome when the US government wanted her advice on several committees, including one relating to Nasa.
Anne never felt she was discriminated against as a woman, although she was aware of the problem. In an interview in Cambridge for the Association for Women in Science and Engineering (AWiSE), of which she was president, she said: "When I was young I never thought of myself as a woman scientist, just as a scientist, and as a woman. There was no statutory maternity leave, we just had children and got on with things as best we could."
She received innumerable honours. In 1975 she was elected a fellow of the Royal Society, in 1986 a fellow of the Royal College of Obstetricians and Gynaecologists, and in 1993 she was made a DBE. She was also president of the Society for the Study of Fertility, president of the Society of Developmental Biology, president of the British Association for the Advancement of Science in 1993-94, and fellow of King's College, Cambridge, from 1992 to 1996. At the time of her death she was a member of the European group on ethics that advises the European Commission on the social and ethical implications of new technologies. Among her many awards were the Scientific Medal of the Zoological Society of London (1967), the Pioneer Award of the International Fertility Society (1988, with Donald Michie) and the Royal Medal of the Royal Society (1990).
A symposium attended by close friends and colleagues was held in Cambridge in April on the occasion of her 80th birthday. She was an inspiring colleague, and my oldest, dearest friend.
Although her marriage to Donald was dissolved, they remained good friends, taking regular holidays with their children. She leaves her son Jonathan, two daughters, Susan and Caroline, and stepson Chris from Donald's first marriage.
Mary Warnock writes: I have never enjoyed working with anyone more than with Anne McLaren. For me and the other "lay" members of the committee of inquiry set up by government in 1982 to examine the then new technique of in vitro fertilisation and related questions, she was an indispensable teacher and guide.
She taught me what a true scientist should be: a combination of vision and caution, of enthusiasm and a strict demand for evidence. Above all, she had patience, not only with the slow progress of scientific proof, but with the ignorance of her pupils. She was also a model of good sense, a rock in the increasingly fraught atmosphere of the committee, as our differences emerged, our sometimes irrational fears escalated, and our deadline approached.
She described herself as an ethical ignoramus, and was sometimes amazed by the passions her work among the pregnant mice seemed to arouse. But her judgment was always listened to with respect.
We continued to work closely together in the six years that elapsed between the publication of our report in 1984 and the legislation that incorporated it. In those years she always seemed to find time for us to address groups of MPs, students or members of local women's institutes. Our double act was not only informative, but always, for me, enormous fun.

· Anne Laura Dorinthea McLaren, scientist, born April 26 1927; died July 7 2007



Anne McLaren, 80, Expert on the Embryo, Is Dead
By JEREMY PEARCE

Anne McLaren, a leading developmental biologist and expert on the embryo who in the 1950s conducted experiments on mice that were important in the development of human in vitro fertilization, died on July 7 in Britain. She was 80.
Dr. McLaren died in a car accident near London while traveling with her former husband, Donald Michie, an authority on artificial intelligence and robotics. Their deaths were confirmed by the Gurdon Institute at Cambridge University, where Dr. McLaren conducted her fertility research.
Throughout her career, Dr. McLaren delved ever deeper into biological as well as ethical questions of reproduction and what she termed “everything involved in getting from one generation to the next.”
In 1958, in work at University College London, Dr. McLaren and another researcher, John D. Biggers, were able to remove mouse embryos and hold them in culture for days before implanting them in the uterus of another mouse.
The novel transfer between different strains of mice was part of a larger experiment to determine if offspring were formed by genetics alone or if there would be a measurable influence on development within a surrogate mother’s womb.
Their findings were startling: the embryos implanted in a surrogate developed with a different number of vertebrae from that found in their genetic mother. Dr. Biggers and Dr. McLaren concluded that there was indeed some unknown effect on the embryos while in the uterus.
The work was later useful in refining techniques for human in vitro fertilization. Dr. Michie, who was then a geneticist and Dr. McLaren’s husband, contributed to the research. They divorced in 1959.
Dr. McLaren went on to study chimeras in mice, in which individuals have two or more populations of genetically distinct cells. She wrote an influential book on the subject, “Mammalian Chimaeras” (1976).
Brigid L. M. Hogan, a professor of cell biology at Duke University and chairwoman of the department of cell biology there, said that Dr. McLaren had employed chimeras to pose fundamental and penetrating biological questions about how an organism’s sex is determined as well as how many cells are needed to form a particular type of bodily tissue.
In 2002, for her work in using embryos and chimeras to help explain basic questions of reproduction and growth in mammals, Dr. McLaren was awarded the Japan Prize for developmental biology. She shared the prize with Andrzej K. Tarkowski, a Polish scientist, who also studied mouse embryos.
Dr. McLaren’s research led her to examine the reproductive cells, known as germ cells, that make up sperm and egg — how they formed, and how they interacted with surrounding tissue. The work was detailed in another well-received book, “Germ Cells and Soma: A New Look at an Old Problem” (1980).
She also became increasingly aware of the ethical concerns attached to biological research and spoke about them on British and European ethics panels, gaining further stature when she became president of the British Association for the Advancement of Science from 1993 to 1994.
Dr. McLaren argued in favor of pursuing research on adult stem cell lines as well as those derived from human embryos because, she said, “perhaps some diseases may benefit from one and some from the other.”
Anne Laura Dorinthea McLaren studied zoology as an undergraduate at Oxford. She received her doctorate, also from Oxford, in 1952.
She joined the Institute of Animal Genetics at the University of Edinburgh in 1959 and conducted her research there until 1974. Dr. McLaren then returned to London, as director of the Medical Research Council’s mammalian development unit.
She was elected to the Royal Society in 1975 and became its first female foreign secretary in 1991.
Dr. McLaren married Dr. Michie in 1952. She is survived by their son and two daughters.
Addressing ethical questions about stem cell research, she wrote in the journal Nature in 2001: “Let a thousand stem cell lines bloom — but let them bloom in full view of all.”
Such bloomings, Dr. McLaren continued, would require a critical audience, “so that they can be subject to scientific and ethical review, freely available for research and one day, perhaps, for treating diseases.”

Copyright 2007 The New York Times Company

Tuesday, July 24, 2007

Lady Bird Johnson Gave America A Big Bouquet


Jacqueline Kennedy and Lady Bird Johnson standing by U.S. President Lyndon B. Johnson as he takes the oath of office aboard Air Force One after the assassination of John F. Kennedy, November 22, 1963. Cecil Stoughton/Corbis


Lady Bird Johnson Gave America A Big Bouquet

By Ann Gerhart
Washington Post Staff Writer
Thursday, July 12, 2007; C01

This was another Lady Bird spring we had, wasn't it?

Confident and lush and defiantly gorgeous, this spring burst out of an ugly winter in such glory because of Lady Bird Johnson. Starting after her husband became president in 1963 in the bleak days following the assassination of John F. Kennedy, she commanded the plantings of millions of tulips and daffodils through the parks and triangles of Washington. Red oaks went in along Connecticut Avenue. Crape myrtles lined up along F Street. Dogwoods. Azaleas. Forsythia. Viburnum. More and more cherry blossoms, ringing the Washington Monument, marching into Shaw.

How could she have known how much we would come to count on her annual spring show in Washington and her wildflower stands along the interstates, more than 40 years later? Hers is a simple and steadfast legacy, unparalleled among first ladies. She took her lifelong love affair with nature and strewed it across a huge country, where it could cheer generations of Americans without regard to class or creed or age. She sowed an explosion of color to please the loner trucker barreling down the highway and the poor child skipping past urban trash.

Claudia Taylor Johnson, who died yesterday at 94, had been so nourished herself when, as a lonely and motherless little girl, she would search each spring for the first daffodil, so that she could name it "queen."

"Whose spirits have not been lifted by the sight of scarlet tulips in the spring and golden chrysanthemums in the fall in a downtown square where once a neglected bench sat forlornly among wild onions!" she wrote in a guest column in The Washington Post in 1966.

Her concept and execution were vast enough that some early pundit named it "beautification," to drape her vision with the bureaucratic jargon federal Washington so reveres. She hated the word. It sounded sissified, she always said, and she was dead serious about her cause. Other first ladies took up illiteracy and drug abuse and mental illness. Lady Bird preferred to focus on the health, instead of the pathology, of the world we inhabit. After riots erupted, she planted daffodils. Yet she carried out her vision not through garden-club fluttering but through a flurry of legislation.

Lady Bird Johnson was a real Southern charmer and a publicly demurring wife, but she also had a steely sense of politics born of decades spent alongside her husband, Lyndon, in the Senate and as vice president. She tramped into the ghettos and posed for photos, pumps on her feet and a shovel in her hands; but she also lobbied for the Highway Beautification Act, which pushed billboards 50 yards away from the roadsides and insisted junkyards be screened from view. It was but one of 150 environmental laws, including the landmark Clean Air Act, enacted with her vigorous support during the Johnson administration from 1963 to 1969. She was a patron saint to the National Park Service.

And she kept at it with energy and dignity in the nearly 35 years after her husband died. Back in Austin, she founded the National Wildflower Research Center and raised $10 million for it. She created hiking and biking paths in a revitalized downtown Austin, all projects united by a single theme: "It was something my heart could sing to," Lady Bird once explained.

When fate forced her to follow the elegant and beloved Jacqueline Kennedy into the White House, Lady Bird told Americans her role would emerge in deeds. She traveled the country speaking up on Head Start and her husband's War on Poverty. During the 1964 election, she bravely embarked on a whistle-stop tour of eight Southern states to sell the Civil Rights Act.

"During a four-day, 1,628-mile campaign trip, she traveled to cities and towns that were in such racial turmoil it was not considered safe for Johnson to go," wrote Jan Jarboe Russell in "Lady Bird: A Biography of Mrs. Johnson."

"Her message was that the Civil War should at long last come to an end, which could only happen if the South shed its racist past and moved into the modern world." She was booed and spit on and threatened by the Ku Klux Klan. Still, she pushed on.

Despite these achievements, and a shrewd business head that parlayed her initial $41,000 investment in a radio station into the $150 million LBJ Holding Co., she told People magazine that she considered her greatest accomplishment "anything I did to keep Lyndon in good health and a good frame of mind to work as hard as he did."

Lady Bird came from a generation of women who insisted on carrying out their wifely duties with dignity and professionalism, even as their husbands rebuked them, derided their appearance and took mistresses. To offer this traditional support to her husband during his presidency, she created the modern institutional apparatus of the first lady.

"She was the first to have a press secretary and chief of staff, and an expanded liaison with Congress and a structure to deal with outside groups," said Lewis Gould, author of "Lady Bird Johnson: Our Environmental First Lady."

"She was the first to have somebody to advance her appearances and write her speeches, and you began to get the bureaucracy around the role. She was an activist."

Lady Bird had studied journalism at the University of Texas and hoped to be a reporter before her whirlwind courtship with Johnson changed all that, and so she "knew the language of the trade, the difference between an a.m. and p.m. deadline, and that it was better to be accessible than evasive," according to Liz Carpenter, her press secretary and longtime friend.

"My theory on Mrs. Johnson is that she decided as smart women did in Texas in the '30s that she was probably smarter than 90 percent of the guys she encountered, but if she let them know that, she was going to be in difficulty. She internalized that and felt that effectiveness was more important than credit," said Gould.

She was more intellectual than her often vulgar husband, and always better read. But she resented such distinctions. When historians suggested that their dynamic was bound in a bad Lyndon and a good Lady Bird, or that she had been humiliated by her husband's infidelities, she bristled.

"Lyndon loved everybody, and a little bit more than half of the world is women," Lady Bird told Life magazine. "I do know he wanted me most. I do know he liked me most. I can sum it up by saying that he and I were better together than either of us was apart.

"I haven't had an undue amount of pain inflicted by fate," she added, with her characteristic modesty.

Instead, she created a persistent beauty, coast to coast.

Albert Ellis, Influential Figure in Modern Psychology, Dies at 93


Ellis in the late forties with a patient. (Photo: Courtesy of Dr. Albert Ellis)


Albert Ellis, Influential Figure in Modern Psychology, Dies at 93
By MICHAEL T. KAUFMAN

Albert Ellis, whose innovative straight-talk approach to psychotherapy made him one of the most influential and provocative figures in modern psychology, died early today at his home above the institute he founded in Manhattan. He was 93.
Dr. Ellis (he had a doctorate but not a medical degree) called his approach rational emotive behavior therapy, or R.E.B.T. Developed in the 1950’s, it challenged the deliberate, slow-moving methodology of Sigmund Freud, the prevailing psychotherapeutic treatment at the time.
Where the Freudians maintained that a painstaking exploration of childhood experience was critical to understanding neurosis and curing it, Dr. Ellis believed in short-term therapy that called on patients to focus on what was happening in their lives at the moment and to take immediate action to change their behavior. Neurosis, he said, was “just a high-class word for whining.”
“The trouble with most therapy is that it helps you feel better,” he told The New York Times in an interview in 2004. “But you don’t get better. You have to back it up with action, action, action.”
If his ideas broke with conventions, so did his manner of imparting them. Irreverent, charismatic, he was called the Lenny Bruce of psychotherapy. In popular Friday evening seminars that ran for decades, he counseled, prodded, provoked and entertained groups of 100 or more students, psychologists and others looking for answers, often lacing his comments with obscenities for effect.
His basic message was that all people are born with a talent “for crooked thinking” — distortions of perception that sabotage their innate desire for happiness. But he recognized that people also had the capacity to change themselves. The role of therapists, Dr. Ellis argued, is to intervene directly, using strategies and homework exercises to help patients first learn to accept themselves as they are (unconditional self-acceptance, he called it) and then to retrain themselves to avoid destructive emotions — to “establish new ways of being and behaving,” as he put it.
His methods, along with those of Dr. Aaron Beck, a psychiatrist who was working independently, provided the basis for what is known as cognitive behavior therapy. A form of talk therapy, it has been shown to be at least as effective as drugs for many people in treating anxiety, depression, obsessive-compulsive disorder and other conditions.
His admirers credited Dr. Ellis with adapting the “talking cure,” the dominant therapy in extended Freudian sessions, to a pragmatic, stop-your-complaining-and-get-on-with-you-life form of guidance later popularized by television personalities like Dr. Phil.
Dr. Ellis had such an impact that in a 1982 survey, clinical psychologists ranked him ahead of Freud when asked to name the figure who had exerted the greatest influence on their field. (They placed him second behind Carl Rogers, the founder of humanistic psychology.) His reputation grew even more in the next two decades.
In 1955, however, when Dr. Ellis introduced his approach, most of the psychological and psychiatric establishment scorned it. His critics said he misunderstood the nature and force of emotions. Classical Freudians also took offense at Dr. Ellis’s critical observations about psychoanalysis and its founder. Dr. Ellis contended that Freud “really knew very little about sex” and that his view of the Oedipus complex, as suggesting a universal law of human disturbance, was “foolish.”
A sexual liberationist, Dr. Ellis collaborated with Dr. Alfred Kinsey in his taboo-breaking research on sexual behavior, and his writings about sex drew complaints from members of the American Psychological Association.
As a base for his work he established the Institute for Rational Living, now the Albert Ellis Institute, in a townhouse on East 65th Street in Manhattan. He lived on its top floor.
One day in the spring of 2004, when Dr. Ellis was 90, hard of hearing and recovering from abdominal surgery, he came downstairs to lead one of his Friday sessions, just as he had done for 30 years.
“Do you know why your family is trying to control you?” he asked a volunteer who had joined him in front of the audience. “Because they are out of their minds!” he said, inserting an unprintable adjective.
Another participant recalled the murder of her sister years ago by a drug dealer. “Why can’t you understand that some people are crazy and violent and do all kinds of terrible things?” Dr. Ellis declared. “Until you accept it, you’re going to be angry, angry, angry.”
Some critics complained that his seminars were more stand-up comedy than serious lecture. Still, despite his iconoclasm, or perhaps because of it, rational emotive behavior therapy became one of the most popular systems of psychotherapy in the 1970’s and 80’s. In 1985, the American Psychological Association presented Dr. Ellis with its award for “distinguished professional contributions.”
Dr. Ellis was the author or co-author of more than 60 books, many of them best sellers. Among them were “A Guide to Successful Marriage,” “Overcoming Procrastination,” “How to Live With a Neurotic,” “The Art of Erotic Seduction,” “Sex Without Guilt,” “A New Guide to Rational Living,” and “How to Stubbornly Refuse to Make Yourself Miserable About Anything — Yes, Anything.”
He often went back to his own life experiences to help explain his positive frame of thinking. Albert Ellis was born on Sept. 27, 1913, in Pittsburgh, the oldest of three children. As a child he had a kidney disorder that turned him, he wrote, from sports to books. His parents moved to the Bronx and separated when he was 11. He wrote that he had limited but amiable contacts with his father, a traveling salesman, and that his mother, an amateur actress, was not interested in domestic life.
But he maintained that the experience had left no scars. “I took my father’s absence and my mother’s neglect in stride,” he wrote, “and even felt good about being allowed so much autonomy and independence.”
He did well in school, skipped grades, won writing contests and, he said, liked himself for his accomplishments.
But at 19 he was painfully shy and eager to change his behavior. In one exercise he staked out a bench in a park near his home, determined to talk to every woman who sat there alone. In one month, he said, he approached 130 women.
“Thirty walked away immediately,” he said in the Times interview. “I talked with the other 100, for the first time in my life, no matter how anxious I was. Nobody vomited and ran away. Nobody called the cops.”
Though he got only one date as a result, his shyness disappeared, he said. He similarly overcame a fear of speaking in public by making himself do just that, over and over. He became an accomplished public speaker.
Dr. Ellis studied accounting at City College during the Depression and took up some entrepreneurial schemes after graduating. In one, he paired used men’s jackets and pants of similar colors and sold them as suits. He wrote fiction but found no publishers. He had read a good deal about sex and set up a bureau in which he counseled couples.
His own first marriage, to Karyl Corper, an actress, in 1938, ended in annulment. His second, in 1956, to Rhoda Winter, a dancer, ended in divorce. For 37 years, from 1966 to 2003, he lived with a companion Janet L. Wolfe, a psychologist who had been executive director of the institute. More recently he married Debbie Joffe-Ellis, a psychologist and former assistant, who survives him.
After receiving a doctorate in clinical psychology from Columbia in 1947, he spent several years undergoing classical psychoanalysis while using its techniques in his job at a state mental hygiene clinic in New Jersey. He quit in 1950 to begin private practice specializing in sex and marriage therapy and soon started drifting from Freudian orthodoxy, finding it, he said, a waste of time.
He turned to Greek, Roman and modern philosophers and considered his own experience. Out of this came rational emotive behavioral therapy, which he decided would focus not on excavating childhood but on confronting the irrational thoughts that lead to self-destructive feelings and behavior. He founded his Manhattan institute in 1959.
“I was hated by practically all psychologists and psychiatrists,” he recalled. They thought his approach was “superficial and stupid,” he said, and “they resented that I said therapy doesn’t have to take years.”
In 2005, Dr. Ellis sued the institution after it removed him from its board and canceled his Friday seminars. He and his supporters claimed that the institute had fallen into the hands of psychologists who were moving it away from his revolutionary therapy techniques.
The board said it had acted out of economic necessity, asserting that payouts to Dr. Ellis for medical and other expenses were jeopardizing the institute’s tax-exempt status. Dr. Ellis was by then requiring daily nursing care. Some board members said they were uncomfortable with his confrontational style and eccentricities and saw him as a liability.
In January 2006, a state Supreme Court judge ruled that the board had been wrong in ousting Dr. Ellis without proper notice and reinstated him. But Ms. Rosellini, his spokeswoman, said Dr. Ellis’s relations with the board remained strained afterward.
Despite his failing health, Dr. Ellis maintained a demanding schedule late into his life.
“I’ll retire when I’m dead,” he said at 90. “While I’m alive, I want to keep doing what I want to do. See people. Give workshops. Write and preach the gospel according to St. Albert.”

Copyright 2007 The New York Times Company





Profile
Behaviorists Behaving Badly
Does Albert Ellis—elderly sexologist and godfather of cognitive psychotherapy—really deserve to be banished from the Upper East Side institute that bears his name?

* By Matt Dobkin


Albert Ellis is singing “The Battle Hymn of the Republic,” red-faced and grinning. Apart from “Glory, glory, hallelujah,” though, it’s not the version that’s taught in classrooms or sung in schoolyards. Ellis, the 92-year-old godfather of cognitive psychotherapy, has written his own lyrics for the tune, which he now leads in his “god-awful baritone” for a group of elderly supporters of the Israel America Foundation who have assembled in the lecture hall of the institute Ellis founded 46 years ago.

Ellis is profoundly deaf, so he’s perhaps more of a song stylist than a singer. “Glory, glory, hallelujah! / People cheer you, then pooh-pooh ya!” he croaks as the seniors, clutching lyric sheets, follow along in a multitude of keys and tempos. “If you’d soften, how they’d screw ya! Don’t expect they won’t!”

The lyrics have special pungency on this Sunday afternoon two weeks ago: This could very well be the last public appearance Ellis makes at the Albert Ellis Institute. Today’s seminar (subject: “Accepting Life’s Kicks, and Moving Ahead!”) is a kind of stealth performance for Dr. Ellis. Although he founded his institute in 1959 and bought this Beaux-Arts mansion on East 65th Street shortly thereafter with the royalties from his book The Art and Science of Love, he currently enjoys zero authority on the premises. He lives in the building and still has his own office there. But Ellis is embroiled in a serious legal dispute with his board of trustees, who last month voted to remove him from power, are seeking repayment of “excess benefits” that had been used to cover his considerable health-care expenses, and shut down his weekly Friday-night therapy workshops, in which the doctor demonstrates his technique on volunteers from the audience and which Ellis had conducted virtually uninterrupted for the past 40 years. It’s unclear if the institute’s directors, who govern the use of the space for public events (and who don’t work on Sundays), are even aware that Ellis has essentially unlocked the front door and let in this crowd.

In fact, the imbroglio with the board—in particular the institute’s executive director, Dr. Michael Broder—is becoming something of an unexpected leitmotif of today’s event. Ellis is taking questions from the audience about Rational Emotive Behavior Therapy (REBT), the anti-Freudian form of psychotherapy with which the doctor made his reputation a half-century ago. Ellis’s institute serves as a school for REBT, where therapists of various stripes come to learn the theory’s dictates, and the building is also a kind of therapeutic hub offering individual and group therapy sessions. A man at the Sunday seminar asks about forgiveness, how to pardon friends, family, or colleagues. Ellis, as his theory dictates, urges separating the person from the action. “For example, I hate what the people here at the institute are doing immorally and unethically,” he says in his rumbling, gravelly honk. “I think they’re fallible, stupid people who are doing the wrong thing—but they may be nice to their mothers . . . You damn the things people do, you don’t damn them.” Or at least you try to behave that way. A woman wants to know, “How do you deal with someone who is a total controlling power freak?” Ellis can’t hold back. “You should be able to kill them, but there are laws against that,” he begins in his customary jokey-provocateur way. “That’s what Michael Broder is—the director of this institute. He’s a power freak! And it would be better if he were dead, dead, dead!”

Albert Ellis has never billed himself as a subtle therapist. “I was the first psychologist ever to say ‘fuck’ and ‘shit’ at the American Psychological Association conference,” he proudly announced the first time we met. The attendees of his Friday workshops who get picked to undergo one-on-one REBT demonstrations in front of the crowd occasionally feel more like victims than patients during his expletive-laden sessions. When crossed in a board meeting (back when he was still on the board), he was known to erupt in obscenities. One of REBT’s principles is to avoid “musts,” the destructive idea that our needs and expectations must be met. This Ellis calls “musturbation.” But REBT sees nothing wrong with letting your anger out—often. It’s keeping it inside that makes you feel worse about yourself and the people who’ve enraged you.

Initial exposure to Ellis’s method provokes a mixture of mild shock and disbelief—and maybe a giggle or two. He wears stereophonic headgear so that he can hear what patients are asking him, and he speaks in a hoarse shout, occasionally breaking down into coughing fits. Still, workshop regulars (who pay $10 a session) treat him with intense, cultlike devotion. To the uninitiated, he can seem like the kind of shrink who confirms nonbelievers’ worst suspicions about therapy: Wait a minute, that guy’s crazier than I am.

Which is why it might surprise some to learn that Ellis is an undisputed giant of twentieth-century psychology. On a legendary (within psych circles) survey conducted in the eighties, the American Psychological Association asked its members to rank the most influential psychotherapists of the previous hundred years. Ellis came in second. Sigmund Freud was third. If that sounds implausible, remember that in the early fifties, when Ellis first developed his approach, the notion of self-help had not yet entered the American psyche. Practical, results-oriented REBT largely paved the way for it. Ellis’s best-selling books, like Sex Without Guilt and How to Control Your Anxiety Before It Controls You, became the avatars for pop psychology. But they’re also grounded in a sophisticated cognitive therapeutic technique. If you compare how many people purchase self-help books in 2005 with the number who undergo Freudian psychoanalysis three times a week, the idea that Ellis’s reach exceeds that of his Austrian colleague doesn’t seem quite so far-fetched.

“Albert Ellis stands as one of the pioneers,” says Dr. Ron Levant, the president of the American Psychological Association. “He’s regarded as a true luminary,” agrees Kaja Perina, editor-in-chief of Psychology Today. “And there is still a very healthy respect and even awe for him.” Another major figure in cognitive therapy, Dr. Arnold A. Lazarus, distinguished professor emeritus of psychology at Rutgers and the executive director of his own Lazarus Institute in New Jersey, says, “The field owes him a tremendous debt.” Lazarus has been a friend of Ellis’s since the mid-sixties, though he acknowledges that others’ esteem for the doctor is surpassed, perhaps, only by Ellis’s esteem for himself. “My joke about Ellis is that I once said to someone, ‘Do you know who invented the airplane?’ ‘The Wright Brothers?’ they said. ‘No, Albert Ellis! The paper clip, Saran Wrap . . . ’ He says he invented everything! But it’s not malicious. It’s very funny.”

Ellis’s ideas about mental health were born of his own physical frailty. For much of his childhood, his body kept failing him. Born in Pittsburgh and reared in the Bronx, he was a sickly child who was repeatedly hospitalized for a series of ailments, most notably nephritis—chronic inflammation of the kidneys—which once sent him to New York Presbyterian for a ten-month stretch. As a bedridden 9-year-old, Ellis must have picked up a number of coping techniques, most usefully that of acceptance: He was confined to a hospital bed—deal with it.

Acceptance is a big thing in REBT, the three cornerstones of which are “unconditional self-acceptance,” “unconditional other acceptance,” and “unconditional life acceptance.” Your mother never told you she loved you? That’s her right as a “fallible fucked-up human,” as Ellis would say, and often does. There are worse things in life than not being told you’re loved by your mother, he argues. Don’t “awfulize” such neglect; use rational thinking to understand that another person’s poor behavior has nothing to do with your sense of identity or potential for happiness. Ellis, an avid reader of philosophy in his teens, credits Epictetus with steering him toward the guiding principle that our emotional responses to upsetting actions—not the actions themselves—are what create anxiety and depression. And if we construct our unhappiness, then, REBT’s reasoning goes, we can also break it apart.

In the fifties, this mode of thought was a radical departure from Freudian psychoanalysis, the dominant therapeutic technique, which Ellis himself practiced for six years until he decided it was “horseshit.” But if Ellis distinguished himself as therapist non grata among much of the Freudian set, his gift for public speaking and his freakish energy quickly helped him garner a powerful reputation, a book deal, and ever-increasing numbers of clients (Artie Shaw and Saul Bellow among them). He traveled extensively, spreading the gospel of REBT. At around the same time, another doctor, Aaron Beck, was exploring similar psychoanalytical approaches, and the two men are generally considered the fathers of cognitive therapy, in which patient and therapist work together to target specific problems, eschewing the more free-form conversational style of Freudian therapy. The technique caught on, and Ellis started his institute.

REBT would become Ellis’s claim to psychological fame, but at the time he was developing it, he was much better known for his work in the field of sex. Indeed, as a contemporary of Alfred Kinsey, Ellis was almost as notorious as his more clinically inclined counterpart, thanks to his then-radical book Sex Without Guilt. An early supporter of gay rights, Ellis has argued that “gay people should be able to choose whatever kind of sex-love relations they preferred—barring, of course, children and mentally deficient adults.” The chief difference between Ellis and Kinsey was that Ellis also studied love.

When his book The Art and Science of Love was published in 1960, Ellis had already been divorced twice. Then, in 1964, he embarked on a romantic relationship with Janet Wolfe, with whom he lived, unmarried, and who served as the executive director of the institute until she left him and it in 2002. Like Kinsey, Ellis is not the monogamous type. He has admitted to having sex with patients, though only after treatment had ended. Living “in sin,” as he puts it, with the director of his own organization surely made for a knotty personal-professional situation. But that didn’t deter the doctor from starting a romantic relationship with another colleague soon after.

We’re casual here,” says Debbie Joffe, Ellis’s fortyish Australian assistant and closest confidante. I’ve come to Ellis’s apartment on the top floor of the institute, and the first things I notice as I get off the elevator are Debbie’s bare feet and deep-red toenails. She notices me noticing and smiles.

The apartment is sparsely furnished and consists of three large rooms, one virtually empty save for a rolled-up futon and a table; a central area near a small kitchen with a sofa and not much else; and the bedroom, where the doctor spends most of his time. The room is dominated by a king-size bed, and Ellis is in it, sitting up and smiling, his headphones on and amplification apparatus at his side. He occupies a sliver of the mattress. The rest is covered in a mass of books and papers. I take my place in a chair near the doctor, while Joffe sits at the foot of the bed to make sure Ellis can understand my questions.

This was early this past summer, and though I didn’t know it at the time—no one did—Ellis and Joffe had been married the previous November. I first saw Joffe at a Friday-night workshop earlier this year, where she was an ebullient presence who made sure the proceedings didn’t get bogged down by Ellis’s hearing. Joffe serves as a kind of interpreter, dashing all over the room from questioner to questioner and translating their queries. She’s also a sidewoman, Ed McMahon to Ellis’s Carson, steering the doctor to some of his signature punch lines. “Remember, Al, when you were in the hospital and I told you they were going to remove your intestine? What did you say?” “At least they’re not going to take my balls,” Ellis zings.

Joffe’s devotion to Ellis borders on the worshipful. “It has been awe-inspiring to watch this man,” she says, drawing out “awe-inspiring” for what feels like 30 seconds. “He is so kind and caring and compassionate and amazing. He really is one of the most extraordinary humans—I believe—to walk this planet.”

Born and raised in Melbourne, Joffe’s also a therapist who studied psychology and eventually started a private practice in Australia. On vacations, she’d travel to the States for workshops with Dr. Ellis, becoming a devotee of REBT. In 2002, she moved here for good and started working at the institute. Her aunt was a psychologist, and it was on her bookshelf that Joffe first “discovered” Albert Ellis as a 12-year-old, around the time Joffe’s father died. But if you point out the symmetry of her coming upon the much older Ellis in this way at the same time that she lost her father, Joffe dismisses it all as fantastical Freudianism. Ellis is not a father figure, she declares. He’s her husband.

“She saved my life,” Ellis says of his amanuensis-cum-spouse. Over a period of a few months, starting in late 2002, the then-90-year-old endured, in rapid succession, a bad fall on the sidewalk in front of his building, a near rupture of the colon that required the removal of his large intestine, a diabetic coma, and an IV-painkiller overdose. When Ellis was in the hospital, Joffe was with him around the clock. It was she who frantically summoned nurses when it became clear that there was something very wrong with the contents of Ellis’s drip. The way Ellis tells it, if she hadn’t been there, he’d be dead.

She is, in many ways, a natural caretaker. A few years back, after giving a talk on the relationship between counseling and healing at a conference of the Indian Board of Alternative Medicines in Calcutta, she was awarded an honorary doctorate. The other honoree was Mother Teresa. And she and Ellis share an interest in various Eastern philosophies; Buddhism’s “life is suffering” is a premise that’s informed REBT. In his bedroom, I ask Ellis what are the sources for most people’s problems and frustrations and anxieties and everything else if not, as Freud would say, events from early childhood, and he blurts out, “People are born crazy—all of them!” Then, fighting through a series of coughs, he adds, “As the Buddha said 2,500 years ago, they’re out of their fucking minds!”

Afterward, when Joffe walks me back to the elevator, I can’t help remarking on their intense connection. “It seems like this is a real romance,” I suggest. “I think romance is too weak a word,” she replies in her Australian twang. “I’d call it soul mates.” And I believe her. But in this case, Ellis’s soul mate may have inadvertently complicated his career.

On July 27, Ellis received a memo from Michael Broder indicating a “suspension of professional activities” from the nonprofit institute, effective immediately. The notice came after months of negotiations between Ellis’s lawyers, Bob Juceam and Michael de Leeuw, and the institute’s lawyer, Dan Kurtz, who failed to come to terms regarding the founder’s future compensation, his health benefits, the direction of the institute after Ellis’s death, and other issues. Then, at a September 18 board meeting, the suspension turned into a formal removal, and Ellis was relieved of his duties. Within a few weeks, he’d filed suit against Broder (who is both a board member and the institute’s director) and three other trustees, seeking to have his dismissal declared void. The remaining two board members—whom Ellis is not suing—have expressed support for him.

Exactly what went wrong is complicated (and the failure to resolve it without resorting to lawyers is obviously ironic, given that we’re talking about a bunch of therapists), but the beginnings of a shift in relations between Ellis and the board seem to have come on the heels of his 2003 health crisis. It occurred then to institute brass that perhaps the time had arrived to reassess Ellis’s professional responsibilities and to contemplate the notion of an Ellis-less Ellis Institute.

That wasn’t what Ellis had in mind. An indefatigable worker who’s written more than 75 books and to whom “wasting time is the essence of human stupidity,” Ellis was determined to continue writing, teaching the tenets of REBT, conducting therapy sessions, and leading his Friday workshops, albeit with a colostomy bag and almost 24-hour nursing care. Board treasurer James McMahon suggested looking into a way to help pay for Ellis’s hefty health expenses, and life at the institute carried on, to a certain degree, as normal.

Until the October 2004 firing of Debbie Joffe. “We let her go, and that was like the assassination of the archduke in 1914,” says Broder. According to him, Joffe was canned for inviting an outsider into a group therapy session. Andy Hopson, a public-relations specialist recommended by Joffe, had been brought onboard to observe the institute and assess how it might be better marketed. But bringing an unlicensed layperson into a therapy session is considered a rather serious breach. Ellis, however, maintains that Broder told him to let Hopson sit in. Furthermore, it seems odd that Joffe alone was reprimanded, considering it was Ellis himself who’d led the session.

Stripped of her duties, Joffe nonetheless remained Ellis’s assistant and health-care attendant. She also became his wife. But because of the turbulence at the institute, they say they decided to keep their marriage under wraps. Joffe still has her own place on the Upper West Side, though she spends several nights a week at the institute with Ellis. And every day she must walk through the halls of the organization that axed her in order to see her husband. She says employees have been instructed not to speak to her, except for the receptionist. Staffers have been known to flee the elevator when she gets in.

Broder and Ellis didn’t always have such a testy relationship. In fact, it was Ellis who invited Broder to join the board, back in 2002, and two years later he asked him to oversee the institute on a temporary basis while it looked for a new director. Ellis has also edited work by Broder, who studied at the institute in the mid-seventies. Now, though, he views his onetime student as a power-hungry liar who wants to seize control of his organization. “Power corrupts and absolute power corrupts absolutely,” says Ellis. For his part, Broder insists he can’t wait to wrap up the legal quagmire and return to Philadelphia, where he’s based. “I’m not going to be here long,” he says. “I’m not trying to take over the institute.” In fact, the institute has contacted headhunters to find a new interim director.

If Broder is cast as the “power freak” by Ellis, then in the board’s telling of the fight, Joffe’s the mercenary one, the implication being that she may not have married her husband for the noblest reasons. While insisting that it’s not appropriate to speculate on the nature of the marriage, Dan Kurtz says, “She had a visa that the institute basically secured for her. When she was let go, we obviously had to notify immigration that she was no longer employed here. She’s still here. I cannot imagine how, but I assume it has something to do with the fact that she’s now married to Dr. Ellis. Because she’s not otherwise employed.”

There’s even been speculation that Joffe has her own designs on the institute, though she dismisses that as nonsense. “My priority is Albert Ellis,” she says. “If I have more time in my life, I will enjoy going back to seeing some of my own clients and teaching. Running things never has been and never will be my thing. But they got it in their heads that I was a strong influence on him. Al listens to me respectfully, but no one influences Al. He’s not shy about saying what he wants.”

Andy Hopson was also asked not to return. He declined to comment, though in response to an e-mail request for an interview, he wrote back, “I appreciate your interest in Dr. Ellis and the awful treatment he is receiving from Dr. Broder and the Board. Considering that Dr. Ellis has given the Institute virtually everything he has earned over his long career it is unbelievable to me that human beings could do what these folks are trying to pull off. In my view it’s all about money.”

The institute’s attorney has had the building on East 65th Street appraised, and its value is estimated to be near $20 million. Ellis’s lawyer says the institute has about $8 to $9 million in the bank, but that’s money Ellis has no access to. By all accounts, he has scarcely earned a dime in the past 50 years that he hasn’t funneled into his organization. The institute is sitting on a tremendously valuable real-estate asset while its founder is essentially broke.

“This is almost a Shakespearean tragedy,” says Nando Pelusi, a psychologist in private practice who’s been affiliated with the institute for fifteen years and who’s married to Kaja Perina. “And Ellis’s fatal flaw, ironically, is this idea of accepting others unconditionally. Sometimes that works out, and sometimes it doesn’t. Ellis read a lot of Marx and had this idea of everything for the good of the group. But I think maybe he read too much Marx and not enough Machiavelli.”

Pelusi has subbed for Ellis at the Friday workshops on occasion, and he continues to conduct a weekly group therapy session at the institute. He refers to the institute under Broder as “the new paradigm,” and suggests that Ellis’s seemingly wild claims that Broder is out to seize the place for himself are perhaps not so outlandish. “On some level, maybe they think they’re doing the right thing,” Pelusi says, referring to Broder and McMahon. “I think they were just so tempted by this power. People have done a lot worse for a lot less.” McMahon responds, “I take no money for this job. If somebody said to me, ‘Jim, you’re in this to take over,’ I’d say, ‘You’ve got the wrong guy.’ ”

In his petition, Ellis seeks reinstatement on the grounds that his dismissal came at a regularly scheduled trustee meeting, not at a special meeting as is required in the bylaws to oust a board member. He also wants a lump-sum payment, reassurance that the institute will continue its work, and some provisions for Joffe. The board is considering filing a counterclaim for repayment of the health costs it covered for Ellis. In 2004, his medical bills were in the area of $300,000. The board was spooked by the possibility that these funds could be considered “excess benefits” and spark an IRS audit that could jeopardize the institute’s nonprofit status—and says it removed Ellis from the board primarily to prevent that from happening.

Ellis points out that Broder, in his part-time freelance gig, earned more than $200,000 from the institute in 2004. And Joffe believes that to pay Ellis’s medical bills is the least the board can do. “The bottom line is, this man in his younger years—his sixties and seventies and eighties—traveled around the country living on cheese sandwiches, pouring everything into this institute. Now he really requires good nursing care. Is he asking for money so he can go to the French restaurant with Michael Broder on a Thursday night? No.”

For its part, the board has offered to help finance the creation of another organization in which Ellis could essentially do whatever he wants. According to Ellis’s lawyers at Fried, Frank, Harris, Shriver & Jacobson, though, the board would likely pay for such an endeavor by selling the mansion—a horrible prospect to Ellis. The institute’s lawyers say one is not contingent on the other. The board members also insist that to continue to pay Ellis’s nursing bills would be to court disaster with the IRS.

It’s already a pretty nasty legal standoff, but even some of the people Ellis is suing sound less rancorous than depressed by the whole thing. “I wish you were here only to talk about the great things that his teachings have done for the world,” says board president Rory Stuart, who, at 49, is the youngest trustee, though he’s been on the board for eighteen years. “When I first got on the board, Al and I were alone once and I said, ‘Listen, what do you want me to do in the long run?’ And he said what he wanted was for the institute to live on after he died and continue to spread the teachings of REBT. I took that seriously.”

As for Ellis’s two board supporters, Deborah Steinberg and Emmett Velten, they’ve declined to talk at the moment. But in a previous statement, they wrote, “Israeli Prime Minister Menachem Begin once said, ‘It is not with the right of power that we returned to the land of our ancestors, but with the power of right.’ We are saddened that the ‘right of power’ has thus far determined recent events at the institute. We hope that the ‘power of right’ will yet prevail.”

The institute’s staff of ten therapists and ten administrators is scared by the drama around them, according to Pelusi. But for now, the life of the institute continues. In addition to classes, workshops, fellowship programs, and practicums for psychologists interested in mastering REBT, the institute is currently working on an interactive computer program that deals with anxiety—and a major study on anger. Ellis continues to conduct therapy sessions with individual clients in his office, six to ten people a week, a far cry from a few years ago, when he’d see dozens.

To some, this tapering-off is how it should be. “I call this the Muhammad Ali syndrome,” says Arnold Lazarus. “Had Ali quit three years sooner and not taken such a pounding, he might not have severe Parkinson’s. Ellis is a heavyweight, but he didn’t know when to quit. He wanted to continue his lectures, his writings, his workshops, instead of graciously stopping some of that. Keeping his finger on the pulse of the institute, of course. But slowing down some of his activities.”

What Ellis has missed most since his ouster are his Friday-night workshops, the cancellation of which he viewed as a spiteful, punitive measure. According to Broder, it was a necessary decision on the heels of complaints that Ellis, his cane flying willy-nilly as he walked down the aisle through the crowd, and his conduct increasingly unreliable, was a danger to his audience. “Those allegations are preposterous,” says Joyce Bavlinka, an education administrator who’s attended about 70 workshops since 2003—before poking me on the arm. “There—did I just assault you?”

Whether Ellis is, in the end, the right person to decide what should happen to his beloved institute after he’s gone—a decision that clearly still needs to be made, regardless of the legal outcome—it’s hard not to feel like, in the meantime, the place owes him a few more Friday nights. It remains to be seen whether he’ll get them. But in a typically pluckish move, Ellis planned to resume his workshops last Friday at the American Federation of Arts, right next door to the mansion. To his fans, this is great news, for they believe that Ellis’s therapeutic gift—despite his deafness, his intestinal woes, his age—is still very much intact.

At the Israel America Foundation seminar the other Sunday, Ellis is demonstrating REBT in action via abbreviated one-on-one sessions with attendees. One woman has anger issues. A man has writer’s block. A third volunteer, however, is in the throes of a significant personal crisis.

A round-faced woman in her early forties with short frosted hair and what sounds like either a Russian or an Israeli accent joins Dr. Ellis on the dais and explains her problem. Four months ago, her husband died at age 41. The crowd sighs. The woman continues, describing how difficult it is for her to grieve at the same time she has to raise her four young children. For a moment, she breaks down, stifling tears, as Ellis waits placidly.

“How can I stop feeling like his death was a waste?” she implores. “It was a waste,” Ellis replies. “Life has wastes.” Occasionally, Ellis doesn’t have complete command of the room, slurring his words, or referring to an earlier question when the group had moved on to something else. But right now, he seems focused, and he kindly pushes his new client, REBT style, to look at her situation for what it is—an inarguably sad circumstance—but not to “awfulize” it, that is, not to empower her problem but to accept it and know that it won’t destroy her.

“This is very, very bad, but you and your children will also experience very, very good things throughout your lives.” Then he deploys his signature visualization exercise, Rational Emotive Imagery, clearly thinking she can take it. “Close your eyes,” he commands. “Now imagine one of your children dying.” There are gasps from the audience. Surely Ellis has gone too far.

“I have,” she replies. “Now feel it,” he says. “And realize that you have a choice to feel healthy feelings of sorrow, regret, sadness—not depressed.” For the first time, the chattering audience is silent, staring at the teary young woman and the white-haired gentleman in headphones. “Imagine the worst and make yourself healthfully sorry. You can do it.”

She opens her eyes and wipes away tears. She says she feels much better.


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